Online Toolkit

Use our Online Toolkit to find out more about Northern Ireland’s historic environment and to learn about the processes which will you help you better understand, protect, conserve, regenerate, and highlight our significant historic buildings and monuments

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Read Heritage

Human ingenuity and effort, along with the integration of man-made and natural materials, have shaped the historic environment through a complex and ever-changing interplay of economic, environmental, political, and societal factors. Consequently, Ulster’s architectural heritage reflects a diverse array of architectural ambitions, encompassing various styles, periods, and structures. From modest dwellings and traditional farmhouses to magnificent churches and castles, the evolution of towns, villages, and collections of buildings over time adds to the rich tapestry of Ulster’s architectural heritage

Architectural Styles and Periods


Northern Ireland boasts a rich array of heritage assets spanning from the Neolithic to the Modern era. Throughout history, the construction and use of building materials have advanced significantly. By identifying distinct surviving features, you can approximate the age of a building, facilitating more detailed research.

Architectural Time Period:What to look for:Examples:Picture:
Neolithic 4000 – 2400 BCTombsBallykeel Dolmen
The Giants Ring
Kilfeaghan Dolmen

Giants Ring, Ballylesson
Bronze Age 2400 – 500 BC  Hill forts
Territorial boundaries and burial markings: standing stones and stone circles.  
Beaghmore Stone Circle, Cookstown
Beaghmore Stone Circle, Cookstown
Iron Age 500 BC – 400 AD  Carved stone
Iron work
Ringforts
Fortifications
Linear earth works
Navan Fort, Armagh

The Dorsey, Co. Armagh

Navan Fort, Armagh
Early Christian Period 400 AD – 1160 AD  Settlements reflected nomadic lifestyle of the people
Local materials and temporary in nature.
Devenish Island
Killeavey Old Churches

Devenish Island, Co. Fermanagh
Norman Period 1160 AD – 1500 AD  More formalized methods of shaping materials and construction
Large earthwork and stone castles
Fortifications
Carrickfergus Castle
Clough Castle, Co Down

Carrickfergus Castle
Plantation Era 1500 AD – 1714 AD  English and Scottish settlers brought new styles and craftsmen
Defensive buildings inc. bawns, walled courtyards, battlements and corner towers.
Bellaghy Bawn and castle
Bellaghy Bawn
Georgian Period 1714 – 1837  Industrial and agricultural development
Large country houses influenced by European grand tours
Simple and symmetrical styles
Florence Court House, Co. Fermanagh
Florence Court, Co. Fermanagh
Victorian Period 1837 – 1901  Rebuilding of plantation towns, development of estates, estate villages and market towns.Development of industrial towns and mill villages
Suburbanisation
Polychromatic brickwork
Imported stone
A variety of architectural styles including Neoclassical, Italianate, Gothic Revival, Celtic Revival, Scottish Baronial and Ruskinian Gothic.
The Palm House, Botanic Gardens, Belfast
Belfast City Hall  


The Palm House, Botanic Gardens, Belfast
Edwardian Period 1901 – 1914  Wide availability of imported stone and materials
Prefabrication
Eclectic style (or Arts & Crafts) incorporating elements of Queen Anne classical revival, Dutch gables and elements of the arts and crafts style.
Austin’s, Londonderry
Scottish Mutual Building, Belfast


Scottish Mutual Building, Belfast
Modern and Contemporary Period 1914 – Present  International style influence
Rectilinear forms
Stripped of ornamentation
Structural innovation
Use of new materials
Progressive move away from craft skills to ‘ready made’ building construction
Ardhowen Theatre, Enniskillen
The King’s Hall, Belfast  


Ardhowen Theatre, Enniskillen

Building and Monument ‘Types’


‘Type’Examples:Picture:
ResidentialVillas
Country Houses
Terraced Housing
Vernacular cottages

Parkanaur Manor House, Dungannon
CommercialChemist
Butchers
Public House
Grocers

Chemist, Derrygonnelly
EducationalSchools
Universities
Colleges

Lanyon Building, Queens University, Belfast
IndustrialMills
Plants
Storage spaces
Distribution centres
Dockyards

Jennymount Spinning Mill, Belfast
EcclesiasticalA variety of shapes, sizes, forms and religious denominations including from Gothic to Brutalism.
Riverside Church, Newry
AgriculturalBarns
Sheds
Grain stores

Cottage and outbuildings, Fivemiletown
GovernmentCity Hall
Courthouses
Parliament buildings
Assembly rooms

Assembly Rooms, Belfast
CivicTown halls
Libraries
Engineering works (bridges)

Lattice Iron Bridge, Hilden Mill, Lisburn
MonumentsEcclesiastical Ruins
Fortifications
Industrial Heritage

Samson and Goliath Cranes, Belfast

Details


While the fundamental components of a house, such as walls, roofs, doors, and windows, are well-known, their sizes and shapes can differ significantly across different regions worldwide. Even within a relatively small area like Northern Ireland, these features exhibit substantial variations. The terminology used to describe the various elements of a building can sometimes be overwhelming, but familiarising oneself with such terminology can aid in research and documentation efforts

Architectural details contribute significantly to the overall character of a building. They inject personality into the structure, reflecting the choices of the owner, the architectural style, or the prevailing fashion of the time.

Below are some examples of details that add character to historic buildings:

DetailExplanation Picture
ArchitraveThe lintel or beam that rests on the capitals of columns; also a moulded frame around a doorway or window
AshlarMasonry consisting of blocks of accurately dressed, cut, squared and finished stone, forming perfect courses, laid in mortar
BargeboardA board that is affixed to the projecting gable of a roof. Its primary functions are to enhance the structural integrity and safeguard the roof while concealing the exposed end grain of the horizontal timbers
Bay WindowType of window that protrudes outward from the main walls of a building. Bay windows are characterized by their curved or polygonal shape, often featuring multiple glass panels that allow ample natural light to enter the interior. They are commonly found in residential homes, adding architectural interest to both the exterior and interior of the building
Corinthian OrderOne of the classical orders of architecture in Ancient Greece and Rome. It is characterised by a column with a slender, fluted shaft and a capital adorned with intricate acanthus leaf decorations. The Corinthian order is considered the most ornate and decorative of the classical orders, emphasizing elegance and sophistication
CorniceA decorative element that crowns the uppermost part of a building’s exterior wall or serves as a decorative moulding along the top of an interior wall. It is positioned horizontally and extends beyond the vertical plane of the wall
Doric OrderOne of the classical orders of architecture in Ancient Greece and Rome. It is characterised by a column with a plain, sturdy shaft and a capital that consists of a simple circular cushion and a square abacus. The Doric order is known for its robust and straightforward design, emphasising strength and solidity. It is often associated with more restrained and austere architectural styles, particularly in ancient temples and public buildings
Dormer WindowA window that is set vertically in a small, protruding structure called a dormer, which is integrated into the slope of a roof. Dormer windows typically have their own small roof, which projects out from the main roof of a building. They are commonly used to provide additional light, ventilation, and headroom to the attic or upper floor of a building. Dormer windows come in various styles and shapes, such as gable, hipped, shed, or eyebrow, and can add architectural interest to the exterior of a structure while creating usable interior space
EntablatureA horizontal architectural element that rests on top of columns or pilasters in classical architecture. It is typically found in the classical orders, such as the The entablature consists of three main components: the architrave, the frieze and the cornice. The entablature serves as a transition between the vertical elements (columns or pilasters) and the roof or upper portion of a building
FanlightA window or decorative feature that is located above a door or window. It is typically semi-circular or fan-shaped
FinialAn element that is often placed at the top or end of a structure, such as a roof, pinnacle, spire, gable, or fence post, serving as a crowning ornament or embellishment
FriezeA horizontal band or panel that is located between the architrave and the cornice in classical architecture, often decorated with various motifs, sculptural reliefs, or ornamental patterns
Ionic OrderOne of the classical orders of ancient Greek and Roman architecture. It is characterised by its distinctive capital, which features volutes (scroll-like ornaments) on each side
KeystoneA wedge-shaped element that is typically positioned at the top center of an arch or vault. It is the final stone to be placed during construction and plays a crucial structural role in maintaining the stability and integrity of the arch or vault. It is often larger or more elaborately decorated than the surrounding stones, drawing attention to its central position
Sash WindowA type of window that consists of one or more movable panels, known as sashes, which slide vertically or horizontally within the window frame. Each sash typically contains one or more glass panes
Oriel WindowA window that projects outward from the main wall of a building, typically on an upper floor. It is usually supported by brackets, corbels, or a cantilevered structure. Oriel windows are known for their decorative and protruding design, creating additional space and providing panoramic views from within
PilasterA pilaster is a vertical, rectangular or flattened column-like architectural element that is attached to a wall. It resembles a decorative, shallow column or half-column, projecting from the wall surface. Pilasters are primarily ornamental and serve to provide visual interest and architectural detailing to a structure
PorticoA covered entranceway or porch that typically features a roof supported by columns or pillars
QuoinThe external corner of a building or wall. Often accented to create a decorative feature that emphasises the corners and adds visual interest and definition to the structure
Tuscan OrderA classical order originating in Ancient Rome, sharing similarities with the Doric order in terms of its robust and sturdy appearance. It consists of a column with a smooth, unfluted shaft and a simple capital that lacks any ornamental details. The capital is often composed of a rounded or square abacus resting directly on top of the column

Materials


Prior to the 19th century, Ulster relied heavily on materials that could be sourced locally. With the advent of the industrial revolution, and the region’s burgeoning economic and commercial prosperity, materials from Great Britain, Europe and beyond became more easily accessible.

The choice of materials greatly influences a building’s character, as evident in the ageing, weathering, and surface texture transformations they undergo over time.

Material:Predominantly used for: Picture:
LeadRoofing/Flashing
CopperPipes
Roofs (Green patina) Decorative elements
LimestoneWall construction
BrickWall construction
Chimney construction
Decorative surrounds
ThatchRoof covering
Stone: AshlarWall construction
Stone surrounds
Stone: Random Rubble/Coursed Rubble  Wall construction
Boundary construction
Clay tilesRoof covering
Decorative finishes
SlateRoof covering
Wrought ironRailings
Decorative features
Fixtures and fixings
Corrugated iron/tinWall construction
Roof covering
Cast ironRailings
Decorative features
Machinery, stoves, gutters and downpipes etc.
Structural frames  
Lime render/harling/wash coatingRendered finish
Earth/mud/ horsehairWall construction
Stone: Dressed/sawn/ carvedWall construction
TimberRoof structure
Timber frames 
Fixtures and fittings
GlassFixtures and fittings; windows

Additional reources to help you read heritage


Publications from Ulster Architectural Heritage

Ulster Architectural Heritage has been publishing books on the region’s significant architecture and architects since 1968.

Our publications are used by academics, historians, architects, and planners, and are widely collected as an invaluable resource on local history and buildings past and present.

Our Buildings Of series of publications, and our Gazetteers offer an insight into assets of historic and architectural significance across Ulster.

Likewise, the books below provide a helpful, more general introduction to Ulster’s Architectural Heritage, covering styles, periods, details, and history:

Marcus Patton – The Bedside Book of Dormers and Other Delights

Hugh Dixon – An Introduction to Ulster Architecture


Other publications

Other helpful publications include:

The Oxford Dictionary of Architecture;

A Concise History of Architectural Styles:

Rice’s Architectural Primer.


Online Resources

As always, Wikipedia provides a helpful overview to architectural styles and history in Ireland:

Architecture of Ireland

Architecture of Belfast